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1 θυμέλη
A place of burning, hearth,θυμέλαι οἴκων E.Rh. 234
(lyr.), cf. A.Supp. 669 (lyr.);Κυκλώπων θυμέλαι E.IA 152
(anap.); but usu. of sacrificial hearths or altars, δεξίπυροι θεῶν θ. Id.Supp.64 (lyr.); ἁ Φοίβου θ. Id. Ion 114 (lyr.), cf. 46, al.; Ἑστία, δίδου.. ἀμφὶ σὰν θ.χορεύειν Aristonous 2.17
; also of braziers, (lyr.); ἡ θ. τοῦ βωμοῦ the surface on which fire was kindled, IG11(2).161A95 (Delos, iii B.C.).II esp. of the altar of Dionysus which stood in the orchestra of the theatre, Διονυσιὰς θ. Pratin.Lyr.1.2, cf.EM743.37, etc.: hence in later writers,b the orchestra, Phryn. 142, Sch.AristId.p.536 D.: hence of the chorus, opp. actors, θυμέλῃσι καὶ ἐν σκηνῇσι τεθηλώς, of Sophocles, AP7.21 (Simm.); cf. sq.c the stage, Phryn.PSp.74 B., EM653.8, etc. (hence generally, platform, stage, Plu.Alex.67); so ὁ ἀπὸ τῆς θ., of a dramatic poet, Id.Demetr. 12, etc.; ὥσπερ ἐκ θ., i.e. theatrical, Id.2.405d; actuarii thymelae equorumque currulium, Cod.Theod.8.7.21.d αἱ ἐτήσιοι θ. annual stage-performances, Alciphr.2.3, cf. POxy.1143.3 (i A.D.), IG 14.2342.IV = θυλήματα, Pherecr.214. -
2 Σ ς
Σ ς, [full] σίγμα or [full] σῖγμα (both accents are found in codd.), τό, twentyfirst letter of the Etruscan abecedaria, IG14.2420, and prob. of the oldest Gr. alphabets (corresponding to the twenty-first Hebrew letterA shin <*>, Phoenician [full] Ω, Syria 6.103), but eighteenth of the [dialect] Ion. alphabet: as numeral σ = 200, but [num] σ' = 200,000: a semi-vowel, Arist.Po. 1456b28, cf. Pl.Tht. 203b.A the oldest forms expressing this sound were [full] Μ (which is however the old eighteenth letter, q.v.), also [full] Σ and [full] ς; compared to a twisted curl, E.Fr.382.7, Theodect.6; to a Scythian bow, Agatho 4; after this, but yet early, it took the shape of a semicircle <*>, whence Aeschrio (Fr.1 ) calls the new moon τὸ καλὸν οὐρανοῦ νέον σῖγμα: hence the orchestra is called τὸ τοῦ θεάτρου σῖγμα, Phot., AB 286: and Lat. writers used sigma of a semicircular couch, Mart.10.48.6, etc.; cf. σιγμοειδής. The rare form <*> is used in the numbering of building-stones in Berl.Sitzb.1888.1234, 1242 (Pergam.). From final [full] ς must be disting uished the character [full] ς = 6, v. [full] ϝ ϝ (sixth letter).B the name [full] σίγμα ( [full] σῖγμα) was usu. indeclinable,τοῦ σῖγμα Pl.
l.c., Cra. 402e, 427a, Ath.10.455c, Lyd.Mens.1.21 (v.l. σίγματος); τῷ σῖγμα Gal.UP2.14
, al.;τῶν σῖγμα Pl.Com.30
;τὰ σίγμα τὰ ἐπὶ τῶν ἀσπίδων X.HG4.4.10
, cf. Hellad. ap. Phot.Bibl.p.532 B.; later declined,τοῦ σίγματος Eust.1389.15
;σίγμασιν Id.905.7
.2 we also hear of another name [full] σάν [ᾰ], τό, ta\ ou)no/mata/ sfi (sc. τοῖσι Πέρσῃσι)τελευτῶσι πάντα ἐς τὠυτὸ γράμμα, τὸ Δωριέες μὲν σὰν καλέουσι, Ἴωνες δὲ σίγμα Hdt.1.139
, cf. Pi.Dith.Oxy. 1604 Fr. 1 ii 3, Ath.11.467a; as name of the fourth and tenth letters in Θρασύμαχος, and of the sixth in Διονύσο ([etym.] υ), Epigr. ap. Ath.10.454f, Achae.33.4; cf. the compd. σαμ-φόρας: σάν and σίγμα were evidently pronounced alike; it is conjectured that σάν is originally the name of the old eighteenth letter. -
3 πάροδος
πάροδος (A), ὁ,A = παροδίτης, LXX Ez. 16.25, IG 14.1372 ([place name] Rome), 12(7).445 ([place name] Aegiale), BCH 46.355 ([place name] Lebedus), CIG 3273 ([place name] Smyrna).------------------------------------πάροδος (B), ἡ,A way by or past, passage, Th.3.21, Arist.Cael. 294b26 ; π. καὶ τροπαὶ τῶν ἄστρων ib. 296b4, cf. Simp. in Cael.507.24; π. τοῦ χρόνου passage, lapse of time, Porph.Sent.44.2 going by or past, passing, entrance, Th.4.82 ; ἐν τῇ π. as they passed by, Id.1.126, cf. Plb.5.68.8 ; κατὰ τὴν π. Id.21.46.12 ; ἐκ π., ἐν π., by the way, cursorily, Arist. Cael. 306b27, Phld. Rh.1.245 S., D.S.18.16 ;π. τινὶ ἐπὶ τὰς ὕστερον πράξεις διδόναι Plu. 2.345c
; τὴν π. ἵν' ἔχῃς τῶν θυρῶν εὐνουστέραν entrance by the door, Dionys. Com.3.17.II narrow entrance or approach, mountain-pass, as Thermopylae, etc., Lys.2.30, X.An.4.7.4, etc.; λαβεῖν τὰς π. take the pass, D.5.20, cf. 9.32, Phld. Rh.1.334 S.; opp. δίοδοι, X.Cyn.6.6.b esp. side-entrance on the stage, Semus 20, Poll.4.126.2 first entrance of a chorus in the orchestra, which was made from the side wings, Arist. EN 1123a23, Poll.4.108;ὥσπερ δράματος Plu.2.805d
.4 public recitation, AP11.422 (Antioch.).IV in a ship, gangway, passage along the deck, Plu.Demetr.43 : metaph.,π. καὶ ἐπιβάθρα τοῦ συγγράφειν Artem.3
Praef.Greek-English dictionary (Αγγλικά Ελληνικά-λεξικό) > πάροδος
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4 θυμελικός
A of or belonging to the thymele, theatrical, θέαι, ἄνθρωποι, Plu.Fab.4, Sull.36;θ. ἔρις Com.Adesp.57
; τὸ θ. theatrical, vulgar style, Plu.2.853b; of performances of music, dancing, etc., in the orchestra (cf. foreg. 11.b);θ. ἀγών SIG457.1
(Thespiae, iii B.C.), cf. D.S.4.5, CIG 3493.11 ([place name] Thyatira), etc.;θ. ἀκροάματα Corn.ND30
; οἱ θ. the musicians, opp. οἱ σκηνικοί, the actors, Plu.Cat.Mi.46; opp. ὑποκριταί, Ptol. Tetr. 180 (but later of actors, Jul.Ep. 89b, Cod.Just.1.4.14); ἡ θ. σύνοδος the company of θ., IG22.1350, OGI713, etc.Greek-English dictionary (Αγγλικά Ελληνικά-λεξικό) > θυμελικός
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5 ἀχυρόω
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6 δρόμος
A course, race, in Il.mostly of horses,ἵπποισι τάθη δρόμος 23.375
; also of men, τέτατο δρόμος ib. 758; οὐρίῳ δρόμῳ with prosperous course, S.Aj. 889 (lyr.); ἅπαντι χρῆσθαι τῷ δρόμῳ at full speed, Luc.Dom.10: of any quick movement, e. g. flight, A.Pers. 207: of Time, ἡμέρης δ. a day's running, i. e. the distance one can go in a day, Hdt.2.5;κατανύσαι τὸν προκείμενον δ. Id.8.98
;ἵππου δ. ἡμέρας D.19.273
: of Things, δ. νεφέλης, ἡλίου τε καὶ σελήνης, E.Ph. 163, Pl. Ax. 370b (pl.), etc.;οἱ δ. τῶν ἀστέρων Procl.Par.Ptol. 136
; δρόμῳ at a run, freq. with Verbs of motion,δρόμῳ διαβάντας τὸν Ἀσωπόν Hdt.9.59
;ἰέναι Id.3.77
;χρῆσθαι Id.6.112
;χωρεῖν Th.4.31
;δ. ξυνῆψαν E. Ph. 1101
;βοηθῆσαι δ. Ar.Fr. 551
: in pl., , Supp. 819.2 foot-race, as a contest, IG2.594.11, al.: prov., περὶ τοῦ παντὸς δρόμον (- μου codd.) θεῖν to run for one's life, Hdt.8.74; ;περὶ ψυχῆς ὁ δ. Pl.Tht. 173a
: generally, contest, πλαγᾶν δρόμος, i. e. a pugilistic contest, Pi.I.5(4).60.4 in speaking, rapid delivery, Longin.Rh.p.312S.3 public walk,ἐν εὐσκίοις δ. Ἀκαδήμου Eup.32
, cf. IG22.1126.36, etc.; colonnade, Pl.Tht. 144c;κατάστεγος δ.
cloister,Id.
Euthd. 273a;δ. ξυστός Aristias 5
; in Crete, = γυμνάσιον, Suid., cf. SIG463.14 (Itanos, iii B. C.); δὔ ἢ τρεῖς δρόμους περιεληλυθότε having taken two or three turns in the cloister, Pl.Euthd. l. c.; in Egypt, avenue of Sphinxes at entrance of temples, OGI56.52 (Canopus, Ptol. III), Str.17.1.28, etc.;δ. τοῦ ἱεροῦ BGU 1130.10
(i B. C.).5 metaph., ἔξω δρόμου or ἐκτὸς δρόμου φέρεσθαι get off the course, i. e. wander from the point, A.Pr. 883 (anap.), Pl.Cra. 414b;ἐκ δρόμου πεσεῖν A.Ag. 1245
; οὐδέν ἐστ' ἔξω δρόμου 'tis not foreign to the purpose, Id.Ch. 514.III δ. δημόσιος, = Lat. cursus publicus, Procop. Vand.1.16, Arc.30, Lyd.Mag.2.10; δ. ὀξύς, = Lat. cursus velox, ib.3.61, POxy.900.7 (iv A. D.), etc. -
7 συμφωνία
συμφων-ία, ἡ,A concord or unison of sound,τὴν ἐν τῇ ᾠδῇ ἁρμονίαν, ἢ δὴ σ. καλεῖται Pl.Cra. 405d
;ἡ γὰρ ἁρμονία σ. ἐστί, σ. δὲ ὁμολογία τις Id.Smp. 187b
, cf. R. 430e;λόγος ἀριθμῶν ἐν ὀξεῖ ἢ βαρεῖ Arist.AP0.90a18
, cf. de An. 426a29; .2 of two sounds only, musical concord, accord, such as the fourth, fifth, and octave, Pl.R. 531a, 531c; ἡ διὰ πασῶν ς. Arist.Pr. 921a13, cf. Hp.Vict.1.8; distd. from mere ὁμοφωνία, Arist.Pol. 1263b35.3 harmonious union of many voices or sounds, concert, οἱ τῶν σ. λόγοι, the Pythag. doctrine of the music of the spheres, Id.Cael.290b22, cf. IG14.793 ([place name] Naples).II metaph., harmony, agreement, Pl.Lg. 689d, Arist.Pol. 1334b10;σ. τις καὶ ἰσότης Thphr.Fr.89.8
;σ. τῷ λόγῳ Pl.R. 401d
;σ. [τῆς ψυχῆς] ἑαυτῇ Id.Ti. 47d
; μείξας πάντα κατὰ συμφωνίαν, of a cook, Damox.2.54; unanimily,σ. τῶν ἱστορησάντων Gal.15.134
; opp. διαφωνία, ib. 440; concordance, of theory with observed fact, ἔχειν τοῖς φαινομένοις ς. Epicur.Ep.2p.36U., cf. Phld.Mort.10; also ἡ πρὸς τὰ πάθη ς. Polystr.p.15 W.: in concrete sense, ἡ σ., = τὸ συμπεφωνημένον (cf.συμφωνέω 11.2
), the amount agreed upon, Ostr.364 (i A.D.).III band, orchestra,Ἑλληνικά 1.19
(Gytheum, i A.D.), PFlor.74.5 (ii A.D.), POxy.1275.9 (iii A.D.), and so perh. in Plb.26.1.4, 30.26.8, but used of a musical instrument in LXXDa.3.5; so Lat. symphonia, of a kind of drum, Isid.Etym.3.22.14, but of a wind instrument, Plin.HN8.157; symphoniae et cymbala strepitusque, Cels.3.18.10;ἤκουσε συμφωνίας καὶ Χορῶν Ev.Luc.15.25
.Greek-English dictionary (Αγγλικά Ελληνικά-λεξικό) > συμφωνία
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8 ὀρχέομαι
Grammatical information: v.Other forms: Aor. ὀρχήσασθαι (Od.).Derivatives: 1. the nom. actionis ὀρχ-ηθμός m. `dance' (Hom., h. Ap.), - ησμός m. `id.' (A.), - ηστύς f. `id.' (Hom., E. Kyk. 171; as κιθαριστύς); younger - ησις f. `id.' (posthom.; Holt Les noms d'action en - σις 127; semantic. in spite of Benveniste Noms d'ag. 86 not to be separated from - ηστύς), - ημα ( ὑπ- ὀρχέομαι) n. `id.' (Simon., S., Pl.); 2. the nom. agentis - ηστήρ (Il.), - ηστής, Dor. - ηστάς (Il., Thera, OldAtt.) m.'dancer' with f. - ηστρίς (com., Pl.), - ήστρια(Moer.); 3. the nom. loci - ήστρα f. `dancing-room, orchestra' (Pl., Arist.); 4. the adj. - ηστικός `belonging to dance(r)s, fit for dancing' (Pl., Arist.). Deatils in Fraenkel Nom. ag. 1, 28f. (a.o. on the analog. - σ-), Benveniste Origines 201, Noms d'ag. 65 f. a. 86, Porzig Satzinhalte 183 a. 236.Origin: XX [etym. unknown]Etymology: Iterative-intensive formation, formally from primary ἔρχομαι; s.v. and Schwyzer 719 a. 702 (which DELG finds neither formally nor semantically convincing). Skt. r̥ghāyáti `tremble, scream, rage', of old compared (Bq s.v. w. lit., WP. 1, 147, Pok. 339, Mayrhofer s.v.) can at most be indirectly connected.Page in Frisk: 2,433Greek-English etymological dictionary (Ελληνικά-Αγγλικά ετυμολογική λεξικό) > ὀρχέομαι
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9 ὀρχήστρα
Greek-English dictionary (Αγγλικά Ελληνικά-λεξικό) > ὀρχήστρα
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10 Ὠιδεῖον
Ὠιδεῖον, τό,A the Odeum, a public building at Athens built by Pericles for musical performances ([etym.] ᾠδαί), having an orchestra, And. 1.38, IG22.1688.3, Eup.18D.; and other apparatus of a theatre, Paus. 1.8.6, 1.14.1; used as a law-court, Ar.V. 1109 (troch., cf. Sch.), D.59.52; for philos. disputations, Alex.25.2, D.L.7.184, Plu.2.605a; for soldiers' quarters, X.HG2.4.9,24; as a place for distributing corn, D.34.37: it seems to have been circular, with a peaked roof, whence the line of Cratin.71, ὁ σχινοκέφαλος Ζεὺς ὁδὶ προσέρχεται ὁ Περικλέης, τᾠδεῖον ἐπὶ τοῦ κρανίου ἔχων, cf. Plu.Per.13, Thphr. Char.3.4: rebuilt, after having been burnt, by Ariobarzanes, App. Mith.38.Greek-English dictionary (Αγγλικά Ελληνικά-λεξικό) > Ὠιδεῖον
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11 συμφωνία
συμφωνία, ας, ἡ (s. σύμφωνος; Pla. et al.; pap, LXX; EpArist 302; Philo; Jos., C. Ap. 2, 170; 179; Tat. 12, 3) in our lit. only in one pass., as a term dealing w. music Lk 15:25. It is variously interpreted:① the sound produced by several instruments, music (Paradoxogr. Flor. 43).② a group of performing musicians, band, orchestra (PFlor 74, 5; 18; POxy 1275, 9; 12; 24 συμφωνία αὐλητῶν καὶ μουσικῶν).③ a wind instrument (Polyb. 26, 1, 4 μετὰ κερατίου καὶ συμφωνίας; Athen. 13, 594e χορῷ μεγάλῳ κ. παντοίοις ὀργάνοις κ. συμφωνίαις; Da 3:5, 15 v.l. Loanw. in rabb. w. the mng. ‘double flute’ [Billerb. IV 396, 400]). Acc. to PBarry, JBL 23, 1904, 180ff; 27, 1908, 99ff a kind of bagpipe. Against this GMoore, JBL 24, 1905, 166ff. PSchmitt-Pantel, La cité au banquet, histoire des repas publics dans les cités grecques ’92 (s. SEG XLII, 1746 on vocabulary of banquets).—DELG s.v. φωνή. M-M. TW. Spicq. Sv.
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